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Titles

Creativity and individual differences in asymmetrical cerebral hemispheric functioning.
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Metaphor interpretation as selective inferencing: Cognitive processes in understanding metaphor (Part 1).
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Detecting the differences in jazz: A comparison of methods for assessing perceptual veridicality in applied aesthetics.
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Form and function of Tridacna shell plaques from the Western Solomon Islands.
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Cheating history: The rhetorics of art forgery.
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The sources of awe and reassurance in Kierkegaard’s Guds Uforanderlighed.
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Dramatic greatness and content: A quantitative study of eighty-one Athenian and Shakespearean plays.
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Metaphor interpretation as selective inferencing: Cognitive processes in understanding metaphor (Part 2).
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The high tiger in South Nias, Indonesia.
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On the acquisition of aesthetic, escapist, and agentic experiences.
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Toward an empirical science of literature.
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Measuring the lengths of punctuated units in prose: An application to Hawthorne.
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The film experience as cognitive structure.
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Applying aesthetics to the design of promotional material: The theory ofrequiredness in direct mail advertising.
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Does art have selective value?
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Dealers and collectors of Indian Baskets at the turn of the century in California: Their effect of the ethnographic sample.
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Three models of narrative comprehension in William Stafford's "Traveling through the dark": Some relations between schemata and interpretive context (Part 1).
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Color preferences, color harmony, and the quantitative use of colors.
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Taste versus fashion: The inferred objectivity of aesthetic judgments.
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Speech made visible: The irregular as a system of meaning.
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Conflicting criteria of success in the careers of symphony musicians.
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Three models of narrative comprehension in William Stafford's "Traveling through the dark": Some relations between schemata and interpretive context (Part 2).
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Poetry and the ordinary reader: A study of immediate responses.
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Symmetry and antisymmetry in Maori rafter designs.
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From symmetry to anthropophagy: The cultural context of Maori art.
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The assessment of aesthetic judgment ability.
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Artistic talent in "autistic" adolescents and young adults.
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Creativity and hemispheric functioning: A second look at Katz’s data.
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Setting the record straight: Comments on creativity and hemispheric functioning.
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A review of recent research on the Golden Section.
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Crimes against art: Social meanings and symbolic attacks.
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Themes and variations in Gide’s L’Immoraliste.
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Measurement of primary process content in paintings.
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Funny women: Social change and audience response to female comedians.
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Aesthetic success in classical music: A computer analysis of 1935 compositions.
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Symmetry analysis of Yorok, Karok, and Hupa Indian basket designs.
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A dynamic spatial analysis of changes in aesthetic responses.
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Commercial influences in popular literature: An empirical study of brand name usage in American and British hit plays in the postwar era.
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Expectations and processes in reading poetic narratives.
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The relationships between creativity and cerebral hemisphericity for creative architects, scientists, and mathematicians.
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On the visualization of some basic concepts.
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Puppet theatre: Form and ideology in Bamana performances.
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Evidence of a tense shift in personal experience narratives.
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The criteria used to judge art: Marketplace and academic comparisons.
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Analyzing opera attendance: The relative impact of managerial vs. environmental variables.
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The influence of cutting rate on the evaluation of affective content of film.
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Aesthetics applied to fashion apparel.
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Consumer preferences in literature, motion pictures, and television programs.
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Perceived and preferred orientations of abstract art.
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L’art pour l’art? Behavioral effects of performing arts organizations.
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High circles, high art: An investigation of museums and urban conditions.
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Musical aesthetics and creativity in Beethoven: A computer analysis of 105 compositions.
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An aesthetic aspect of professional sport
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Cognitive processes in reading literary texts: The influence of context, goals and situations.
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An evaluation of university students as a model population in predicting performing arts attendance.
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The naive reader: Anarchy or self-reliance?
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The experience of time, pleasure; and interest during aesthetic episodes.
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What is the lady really smiling about? Mona Lisa’s secret admirers.
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Aesthetics and the cultural whole: A study of Kono dance occasions.
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An examination of preferences for subject matter in painting.
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The artist and androgyny: A study of gender identity in visual arts.
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Relationship of preference judgments to typicality, novelty, and mere exposure.
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Manipulating montage: Effects on film comprehension, recall, person perception, and aesthetic responses.
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Joint effects of chroma and value on spatial balance of color pairs.
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Art critics and art publics: A study in the sociology and politics of taste.
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Anaphora in popular stories: Implications for narrative theory.
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The legacy of Daniel E. Berlyne.
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Accounting for taste.
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On the thread of discourse: Homogeneity, trends, and rhythms in texts.
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Pun frequency and popularity of Shakespeare’s plays.
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Reference and preference in narrative: Sherwood Anderson’s Winesburg, Ohio.
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The emotions of the apprentice poets.
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How many films noirs are there?: How statistics can help answer this question.
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Organizational cognition in a jazz ensemble.
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An historicodevelopmental analysis of the Regressive Imagery Dictionary.
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The IGEL conference 1987: Aspects of the empirical study of art and media.
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Motivations, epistemological considerations, concepts of literature, and aims of research in the empirical study of literature in the United States and Germany.
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The empirical study of literature. How empirical can it be?
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Fundamental demands on the construction of a theoretical object of strictly scientific empirical studies of literature.
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Towards the constructivist science of literature (A new paradigm?).
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How to recognize an "interpretive community" when you see one.
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Film aesthetics and new methods of film analysis.
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Past: Notes on memory and narration.
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Interest and pleasure as dimensions of aesthetic response.
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Relationships between aesthetic response scales applied to paintings.
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Resource exchange in the production and distribution of a motion picture.
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Stage, sex, and suffering: Images of women in American films.
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Bondage in women’s clothing as reflected in television.
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The effect of subject matter and degree of realism on aesthetic preferences for paintings.
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Reactions to cheap art.
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Understanding musical soundtracks.
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Intensity, dissonance, and preference for pure tones.
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An exploration of the impact of marketing mix variables on museum attendance.
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Structural aspects of visual art design and their relation to broader sociocultural contexts.
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Processing of aesthetic information.
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Comparisons between museum and mass-produced art.
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Cultural and text variables in processing personal experiences while reading literature.
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Measurement of cognitive structure in the domain of art history.
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Spatial abilities and reading deficits in visual art students.
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Against prototypicality as a central concept in aesthetics.
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Creativity in the retarded.
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The relationship between aesthetic judgment and dogmatism.
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Parameters of aesthetic objects: Applied aesthetics.
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Absorption and trance-inductive poetry.
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Event and decay of the aesthetic experience.
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Understanding short stories: An American-Hungarian cross-cultural study.
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Artists and scientists: An analysis of marital status and stability.
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Pictorial realism.
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The Golden Section has no special aesthetic attractivity!
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The effects of situation, sequence, and features on perceptual and affective responses to product designs: The case of aesthetic consumption.
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Visual memory, verbal schemas, and film comprehension.
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Aesthetic attitude and variations in reported experience of a painting.
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Can composers express emotions through music?
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Editor’s note (Special issue: Foundations of verse)
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The phonetics of metrics.
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French and English rhymes compared.
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On the meter and prosody of French 12-syllable verse.
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Rhymes in Victor Hugo: Les Feuilles d’Automne and Les Chansons des Rues et des Bois.
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Multidimensional scaling and experimental aesthetics: Escher’s print as a case study.
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Left and right in Leonardo’s Drawing of faces.
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Stages of mystical development in the primordial content of the Gospels and Acts.
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Cross-cultural aesthetic contrasts and implications for aesthetic evolution and change.
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The foundations of verse: A commentary.
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The weeping wound: Reflections on "Foundations of Verse".
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Tools for the study of verse.
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The aesthetics of composition: A study of Mondrian.
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Connectivity and metaphor comprehension.
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Children’s interpretations of dance expressions.
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The old-age style and its artists.
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The effect of hedonic context on evaluations and experience of paintings.
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Gridding a grid: An artist reviews and comprehends his own exhibition.
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Emotional tone in Peter Rabbit before and after simplification.
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In Memoriam: Dr. Hans Kreitler.
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Preferences for profile orientation in portraits.
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Sex of the face in Western art: Left and right in portraits.
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Differences in visual preferences and cognitive aptitudes of professional artists and nonartists.
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On detecting the differences in jazz: A reassessment of comparative methods of measuring perceptual veridicality.
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Detecting the differences, indeed.
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Experimentally elicited judgments of color harmony.
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Disjunctive ambiguity as a determinant of the aesthetic attractivity of visual patterns.
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The taxonomy of visual aesthetic preferences: An empirical study.
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The vocabulary-management profile: Two stories by William Faulkner.
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Clockwork Shakespeare: The Bard meets the Regressive Imagery Dictionary.
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Preferability, pleasingness, and interestingness: Relationships between evaluative judgments in empirical aesthetics.
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The influences of the relationship between primary and secondary process content on aesthetic success in novels.
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Affective impact of music vs. lyrics.
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The effect of verbal instruction and artistic background on the aesthetic judgment of rectangles.
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Prototype formation among professional dancers.
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Fechner redux: A comparison of the Holbein Madonnas.
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The role of affective processes in reading time and time experience during literary reception.
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The creativity and job satisfaction of artists in organizations.
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The cognitive psychodynamics of acting: Character invasion and director influence.
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An empirical approach to representing patterns of consumer tastes, nostalgia, and hierarchy in the market for cultural products.
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Compositional geometry in pictures.
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Aesthetics: If not from below, whence?
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The horse and the cart: The contemporary artist and the aesthetician.
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Fechner’s experimental aesthetics and the Golden Section hypothesis today.
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Prototypicality as an explanatory concept in aesthetics: A reply to Boselie (1991).
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On the development of prototypes and preferences.
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Contrast effects and social desirability in art appreciation.
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A measure of the information content of visual art stimuli for studies in experimental aesthetics.
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Simple pleasures: The psychological aesthetics of high and popular art.
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Quantifying aesthetic preference for chaotic patterns.
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Vision spontaneously establishes the percept of pictorial balance.
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Effects of narrative structure and emotional content on cognitive and evaluative responses to film and text.
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Jakobson’s model of linguistic functions and modern painting.
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Semantic fields and metaphor: Going beyond theory.
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The price of a free concert.
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Turning the other cheek: Profile direction in self-portraiture.
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Prototypicality revisited: A rejoinder to Hekkert and Snelders.
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Daniel E. Berlyne (1924-1976): Two decades later.
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The contribution of eye-movement research to an understanding of the nature of pictorial balance perception: A review of the literature.
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Color elements in national schools of painting: A statistical investigation.
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Rhythmic and strophic organization in Mediaeval Hebrew Poetry: (A cognitive approach).
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Affective and evaluative responses to the arts.
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Quantification of determinism in music using iterated function systems.
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Imagery, style, and content in thirty-seven Shakespeare plays.
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Salience of compositional cues and the order of presentation in the picture reversal effect.
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"High"-"low" cultural products and their social functions.
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Preferences in symmetries and symmetries in drawings: Asymmetries between ages and sexes.
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Meaningfulness and hedonic values of paintings: Effects of titles.
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The effect of physical attractiveness on responses to pop music performers and their music.
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Fechner in context: Aesthetics from below, inner and outer psychophysics: A reply to Pavel Machotka.
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Reply to Höge.
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Various attempts to establish a basic form of beauty: Experimental, aesthetics, Golden Section, and square.
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Why a special issue on the Golden Section hypothesis? An introduction.
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The Golden Section and the shape of objects.
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Preference for proportions as a function of context.
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The preference amongst product designers for the Golden Section in line partitioning.
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The shape of things: But not the Golden Section.
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The vase on the mantelpiece: The Golden Section in context.
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The Golden Section and the aesthetics of form and composition: A cognitive model.
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The Golden Section hypothesis - Its last funeral.
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ART THEFT IN NEW YORK CITY
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EFFECTS OF MUSIC ON THE PERCEPTION OF PAINTINGS
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INDIVIDUAL DIFFERENCES IN COMPLEXITY PREFERENCE AND ARTISTIC STYLE: NEOCLASSICAL VERUSES EXPRESSIONISTIC AESTHETICS
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MEMORY FOR AESTHETIC QUALITIES
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MEMORY FOR PICTURE FRAMES
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PERCEIVING HIERARCHICAL STRUCTURES IN NONREPRESENTATIONAL PAINTINGS
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THE INFLUENCE OF STORY, PLOT, AND GENRE ON MEMORY FOR ACTION IN A FILM
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THE INSTITUTIONAL DEFINITION OF POETRY: SOME HERETICAL THOUGHTS
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ADVERTISEMENTS: MULTILEVELED IN WORD AND IMAGE AND IN THE MIND OF THE BEHOLDER
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AN EXAMINATION OF OBJECTIVE AND SUBJECTIVE MEASURES OF EXPERIENCE ASSOCIATED TO ODORS, MUSIC, AND PAINTINGS
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ARE THE DIMENSIONS UNDERLYING AESTHETIC AND AFFECTIVE JUDGMENT THE SAME?
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GENERATING AND RECEIVING CONTEXTUALIZED INTERPRETATIONS OF FIGURATIVE SCULPTURES
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PERSONALITY, CREATIVITY, AND AESTHETIC PREFERENCE: COMPARING PSYCHOTICISM, SENSATION SEEKING, SCHIZOTYPY, AND OPENNESS TO EXPERIENCE
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Color Contrast and Color Preference
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The Meanings of Modern Art
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The Cumulative Influence of Depth and Flatness Information on the Perception of Size in Pictorial Representations
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Reception and Memory for Serious and Light Rock Music Videos
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The Significance of Transpersonal Experiences, Emotional Conflict, and Cognitive Abilities in Creativity
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Evolution, The Invisible Artist
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Original Paintings Versus Slide and Computer Reproductions: A Comparison of Viewer Responses
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Contrasting Aesthetic Evaluations of "Graffiti" Images as a Function of Incongruity Intolerance Responses
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Enhancing Novices' Ability to Achieve Percipience of Works of Art
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Personological Studies on Dancers: Motivations, Conflicts, and Defense Mechanisms
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Creativity and Speed of Mental Processing
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Beyond Prototypicality: Toward a Categorical-Motivation Model of Aesthetics
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Collative Variables Versus Prototypicality
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Creative Artists and Intrapsychic Structure
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Personality Perception of Painted Faces in Beijing Opera
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Loneliness of Adolescents and Their Choice and Enjoyment of Love-Celebrating Versus Love-Lamenting Popular Music
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Pops and Flops: Some Properties of Famous English Poems
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The Interaction of Openness to Experience and Schizotypy in Predicting Preference for Abstract and Violent Paintings
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In Memoriam: Steen Folke Larsen
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Is the Author Really Dead? An Empirical Study of Authorship in English Renaissance Drama
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The Music or the Words? Or How Important is the Libretto for an Opera's Aesthetic Success?
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Emotion and Closure in the Sound Expressiveness of Quatrains from Fitzgerald's Rubaiyat of Omar Khayyam
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Concepts of Pictures on Display
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Genre Categorization and Its Effect on Preference for Fiction Books
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What Imagery Can't Do and Why Sketching Might Help
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The Eyes Have It: An Examination of Feature-Centering in Photographic Portraiture
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Introduction to Special Issue
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The Rhetoric of Emotion, with a Note on What Makes Great Literature Great
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Shakespeare's Invention of Theater as Simulation that Runs on Minds
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Literary Expertise and Analogical Reasoning: Building Global Themes
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Reading Holocaust Literature: An Interview Study
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Phenomenological and Quantitative Analyses of Absorption in Literary Passages
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Understanding and Organizing Emotional Experience: Autobiographical Accounts of Traumatic Events
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Introduction
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Motivational Appeal, Aesthetic Appreciation, and Attributed Efficacy of Advertising Illustrations
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Perceiving Emotions from Facial Expressions in Paintings
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Impact of a Game Booklet on Family Visit to an Art Exhibition
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Aesthetics Electrified: An Analysis of Descriptive Symmetry and Evaluative Aesthetic Judgment Processes Using Event-Related Brain Potentials
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Auditory and Visual Interaction in the Aesthetic Evaluation of Environment
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Determinants of Preference: When Do We Like What We Know?
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Artists Use of Compositional Balance for Creating Visual Displays
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Spending Time on Art
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WHAT MAKES A POLYGON PLEASING?
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WHY DOES MUSIC EXPRESS ONLY SOME EMOTIONS? A TEST OF A PHILOSOPHICAL THEORY
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PORTRAIT PROFILES AND THE NOTION OF AGENCY
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THE MEMORIAL BASE FOR THE PICTURE-REVERSAL EFFECT
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AN OBLIQUE EFFECT IN THE SELECTION OF LINE ORIENTATION BY TWENTIETH CENTURY PAINTERS
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A CROSS-CULTURAL STUDY OF RESPONSE TO ICELANDIC AND ITALIAN FOLKTALES
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WHAT DESIGN FOR A PRESIDENTIAL LIBRARY? COMPLEXITY, TYPICALITY, ORDER, AND HISTORICAL SIGNIFICANCE
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COLLABORATIVE AESTHETICS IN THE FEATURE FILM: CINEMATIC COMPONENTS PREDICTING THE DIFFERENTIAL IMPACT OF 2,323 OSCAR-NOMINATED MOVIES
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PROTOTYPICALITY-EFFECT IN SURREALIST PAINTINGS
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EMOTION CONVEYED BY SOUND IN THE POETRY OF ALFRED, LORD TENNYSON
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THE EFFECTS OF LOCAL PHONETIC CONTRASTS IN READERS' RESPONSES TO A SHORT STORY
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PAINTING PREFERENCE AND PERSONALITY, WITH PARTICULAR REFERENCE TO GRAY'S BEHAVIORAL INHIBITION AND BEHAVIORAL APPROACH SYSTEMS
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PSYCHOLOGY OF LITERARY NARRATIVES: STUDIES OF IDENTITY AND CONFLICT
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THE WORDS THAT PREDICT THE OUTBREAK OF WARS
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SOCIAL PSYCHOLOGY AND LITERARY TEXTS: AN EMPIRICAL ANALYSIS OF A CONTEMPORARY INDIAN NOVEL
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A HISTORICAL VIEW OF EMPIRICAL POETICS: TRENDS AND POSSIBILITIES
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REPRESENTATION OF NATIONAL IDENTITY IN SUCCESSFUL HISTORICAL NOVELS
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HOW CHILDREN APPROPRIATE THEMES THEY FIND IN MEDIA PRODUCTS
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INTRODUCTION
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NATURE AND AESTHETICS: OBLIVION AND INVENTION IN TECHNOLOGICAL EXPERIMENTS
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ART AND ENVIRONMENT IN ANCIENT ATHENS: A SECRET OF THE PROPORTION 1:0.382
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EXPERIMENTAL TECHNIQUES FOR INVESTIGATING THE CONTRIBUTION OF PICTORIAL BALANCE TO THE CREATION AND PERCEPTION OF VISUAL DISPLAYS
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AFFECTIVE AND SYMBOLIC MEANINGS OF COLOR AND FORM: EXPERIMENTAL PSYCHOLOGICAL APPROACHES
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SPECIAL IMAGE CONTENTS, PERSONALITY FEATURES, AND AESTHETIC PREFERENCES
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A MUSEUM EXPERIENCE: EMPATHY AND COGNITIVE RESTORATION
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FAMILIAR AND FLUENT! STYLE-RELATED PROCESSING HYPOTHESES IN AESTHETIC APPRECIATION
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ON THE SYNCHRONY BETWEEN FIGURE MOVEMENT AND SOUND CHANGE
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PSYCHOLOGICAL EVALUATION OF WATERSIDE SPACE USING AUDIO-VISUAL INFORMATION
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AN EMPIRICAL DEMONSTRATION OF THE INTERACTIVE INFLUENCE OF DISTANCE AND FLATNESS INFORMATION ON SIZE PERCEPTION IN PICTURES
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ON STRUCTURE IN THE CREATIVE PROCESS: A QUANTITATIVE CASE-STUDY OF THE CREATION OF PICASSO'S GUERNICA
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POETIC EMOTION AND POETIC STYLE: THE 100 POEMS MOST FREQUENTLY INCLUDED IN ANTHOLOGIES AND THE WORK OF EMILY DICKINSON
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OPENNESS TO EXPERIENCE, NON-CONFORMITY, AND THE PREFERENCE FOR ABSTRACT ART
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CLASS-RELATED DISTINCTIONS IN AMERICAN CULTURAL TASTES
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A COMPARISON OF THE PERCEIVED PICTORIAL AND AESTHETIC QUALITIES OF ORIGINAL PAINTINGS AND THEIR POSTCARD IMAGES
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SURE, I'M CREATIVE--BUT NOT IN MATHEMATICS!: SELF-REPORTED CREATIVITY IN DIVERSE DOMAINS
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ORIGINALITY AND TECHNICAL SKILL AS COMPONENTS OF ARTISTIC QUALITY
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DRAWING UPON REPRESENTATIONS: AN EMPIRICAL STUDY OF THE DEPICTION OF THE HUMAN FACE
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HEMISPHERIC PROCESSES IN THE PERCEPTION OF ART
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THEMATIC CONTENT AND POLITICAL CONTEXT IN SHAKESPEARE'S DRAMATIC OUTPUT, WITH IMPLICATIONS FOR AUTHORSHIP AND CHRONOLOGY CONTROVERSIES
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INTRODUCTION: EMPIRICAL STUDIES OF LITERATURE--WIDENING HORIZONS
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APPROACH AND SELECTION OF POPULAR NARRATIVE GENRE
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READERS' RESPONSES WHILE READING A NARRATIVE TEXT
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THE RECEPTIVITY OF CANADIAN READERS TO CHINESE LITERATURE: LIN YUTANG'S WRITINGS IN ENGLISH
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READING, HEARING, AND SEEING POETRY PERFORMED
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EMPIRICAL ANALYSIS, GENDER ASSUMPTIONS, AND THE LANGUAGE OF NARRATION IN EIGHTEENTH-CENTURY BRITISH FICTION
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THE EFFECT OF EXTRANEOUS STIMULATION ON AESTHETIC PREFERENCE
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FILM AS ART VERSUS FILM AS BUSINESS: DIFFERENTIAL CORRELATES OF SCREENPLAY CHARACTERISTICS
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COGNITIVE APPRAISALS AND INTEREST IN VISUAL ART: EXPLORING AN APPRAISAL THEORY OF AESTHETIC EMOTIONS
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INFORMATION STRATEGIES OF FINE ART COLLECTORS, GALLERISTS, AND TRENDSETTERS
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THE EFFECT OF COLOR ON VIEWERS' RATINGS OF PAINTINGS
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THE ASSESSMENT OF PREFERENCE FOR BALANCE: INTRODUCING A NEW TEST
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INTRODUCTION
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ART, SCIENCE, AND HUMOR: THE STUDY OF HUMOROUS EXPERIENCE AT THE INTERSECTION BETWEEN PSYCHOLOGY AND THE ART WORLD
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CAREERS IN THE DRAMATIC ARTS: COMPARING GENETIC AND INTERACTIONAL PERSPECTIVES
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INVESTIGATION OF THE PROTOTYPICALITY OF VISUAL STIMULI IN THE DRAWINGS OF SEVEN-YEAR-OLD CHILDREN
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ARTISTIC STYLES AND PERSONALITIES: A CLOSE VIEW AND A MORE DISTANT VIEW
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THE SEMANTIC REPRESENTATION OF ACTRESSES AND ACTORS
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THE SEARCH FOR OBJECTIVE MEASURES OF AESTHETIC JUDGMENT: THE CASE OF MEMORY TRACES
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THE MAGICAL NUMBER FIVE IN ART APPRECIATION
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DYNAMIC EVALUATION OF MATISSE'S 1935 LARGE RECLINING NUDE
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ARTISTIC TRAINING AND INTEREST IN VISUAL ART: APPLYING THE APPRAISAL MODEL OF AESTHETIC EMOTIONS
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COMPARING ARTISTIC VALUES: THE EXAMPLE OF MOVIES
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HUMAN VERSUS COMPUTER: THE EFFECT OF A STATEMENT CONCERNING A MUSICAL PERFORMANCE'S SOURCE ON THE EVALUATION OF ITS QUALITY AND EXPRESSIVITY
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COGNITIVE AND AFFECTIVE RESPONSES TO STRUCTURAL VARIATIONS OF AN E. A. POE SHORT STORY
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MEASURING THE CULTURE OF C. P. SNOW'S TWO CULTURES
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EFFECTS OF TIME AND INFORMATION ON PERCEPTION OF ART
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An Introduction to Multilevel Modeling for Research on the Psychology of Art and Creativity
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Aesthetic Communication Through Posters
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Another Slant on the Oblique Effect in Drawings and Paintings
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Successive Contrast Effects for Judgments of Abstraction in Artwork Following Minimal Pre-Exposure
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Positioning Bias in Portraits and Self-Portraits: Do Female Artists Make Different Choices?
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The Reader at Work: The Role of the Text and Text-Receiver in the Construction of the Protagonist of a Novel
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Editorial: Twenty-Five Years of Empirical Studies of the Arts
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Recent Trends in the Psychological Study of Aesthetics, Creativity, and the Arts
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Is Bad Art The Opposite of Good Art? Positive Versus Negative Cinematic Assessments of 877 Feature Films
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Validating the Creativity Scale for Diverse Domains Using Groups of Artists and Scientists
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Learning Through Ancient Art and Experiencing Emotions With Contemporary Art: Comparing Visits in Two Different Museums
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The Color of Music: Correspondence Through Emotion
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The Colorimetric Barycenter of Paintings
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Introduction
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Creativity and E-Advertising: A Qualitative Study of Art Directors' Creative Processes
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Evaluation in Music Theater: Empirical Results on Content and Structure of the Audience's Quality Judgment
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Relationship of Personal Cognitive Schemas to the Labeling of a Profound Emotional Experience as Religious-Mystical or Aesthetic
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Gombrich, Galenson, and Beyond: Integrating Case Study and Typological Frameworks in the Study of Creative Individuals
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On the Visual Cues Contributing to Pictorial Depth Perception
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Erotic, Pornographic, or Obscene: Factors Influencing the Perception of Photographs of the Nude
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The Structure of Artistic and Aesthetic Abilities in School Children
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Studying Master Paintings to Promote Painting Skills: The Role of Visualization, Copying from Memory, and Spatial Ability
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Is Facial Beauty an Innate Response to the Leonardian Proportion?
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The Genius Portfolio: How Do Poets Earn Their Creative Reputations from Multiple Products?
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The Perception and Evaluation of Visual Art
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The Concept of Scale in Architecture—Three Empirical Studies
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In Memory
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Questioning the Rules of Continuity Editing: An Empirical Study
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Do People Prefer Curved Objects? Angularity, Expertise, and Aesthetic Preference
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Theory Confrontation: Testing the Categorical-Motivation Model
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Visual-Tactual Incongruities in Products as Sources of Surprise
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Judgments of Creativity as a Function of Visual Stimulus Variability
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Opposing Art: Rejection as an Action Tendency of Hostile Aesthetic Emotions
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From the Editor
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Obituary: Colin Martindale
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The Evolution and End of Art as Hegelian Tragedy
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Art, Innovation and Attention
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Commentary on "The Evolution and End of Art as Hegelian Tragedy"
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The End of Art?
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Changes in Art: Market Forces or Evolution?: A Response to Colin Martindale
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Maybe, Maybe Even Probably, but Not Necessarily: Response to Martindale
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Who Made You Eat the Apple?—A Response to Martindale's Hegelian Tragedy Argument
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Whither Art, and Where Is It Now?
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Notes on Colin Martindale's The Evolution and End of Art as Hegelian Tragedy
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The End of Art—Pro and Con and Possible Ways to Overcome the Deadlock
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"Certain Things Last": A Skeptical Look at Martindale's Dirge for the Arts
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The Decline and Fall of Musical Art: What Happened to Classical Composers?
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The Multidimensionality of Art
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Index—Contents of Volume 27, 2009
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From the Editor
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The American Idol Effect: Are Students Good Judges of Their Creativity across Domains?
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To Make the Familiar Strange—Aesthetic Derealization in the Work of Alberto Giacometti
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On the Formation of Canons: The Dynamics of Narratives in Art History
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How Important is Beauty to You? The Development of the Desire for Aesthetics Scale
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Camera Obscura's Role in Johannes Vermeer's Painting Space
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Contextual Information, Artistic Style and the Perception of Art
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Introduction to the Special Issue
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An Uncommon Resonance: The Influence of Loss on Expressive Reading
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Investigation on Piero della Francesca's Frescoes
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Visual Complexity and Beauty Appreciation: Explaining the Divergence of Results
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Artists' Statements Can Influence Perceptions of Artwork
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The Assessment of Art Attributes
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The Reputation of Baroque Composers 1790-2000
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A Test of Consensus in Aesthetic Evaluation among Professional Critics of Modern Music
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Index—Contents of Volume 28, 2010
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Complexity Scale and Aesthetic Judgments of Color Combinations
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A Dynamic and Ecological Approach to the Artistic Creative Process of Arts Students: An Empirical Contribution
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When Film Critics Agree: Does Film Genre Matter?
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Where Does One Look When Viewing Artwork in a Museum?
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Finding Movies Interesting: How Appraisals and Expertise Influence the Aesthetic Experience of Film
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The Reader in the Text: The Construction of Literary Characters
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Genius: A Son of His Time or a Rara Avis?
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Age and Aesthetic Significance in Classical Music: A Multi-Level Reanalysis of Halsey's (1976) Ratings
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The Changing Poetics of the Dissolve in Hollywood Film
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Taste Sensitivity and Aesthetic Preferences: Is Taste Only a Metaphor?
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Does Shape Constancy Relate to Drawing Ability? Two Failures to Replicate
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Scaling Professional Critics: Men and Women Rate Films
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Preference Judgment for Dynamic Symmetry
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Manipulating Mindfulness Benefits Creative Elaboration at High Levels of Neuroticism
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Index—Contents of Volume 29, 2011
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Editorial
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Introduction to the Special Issue: Aesthetics & Design!?
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Eye Movements on Facades: The Subjective Perception of Balance in Architecture and Its Link to Aesthetic Judgment
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Global Perception, Meaning, and Aesthetic Appreciation
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Characteristic Color Use in Different Film Genres
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Contrast and Assimilation in Aesthetic Judgments of Visual Artworks
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The Physiology of Phenomenology: The Effects of Artworks
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How to Find Refutations of the Golden Section Without Really Trying
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Editorial: Thirtieth Anniversary of Empirical Studies of the Arts
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Sympathy for a Character's Plight: Sex Differences in Response to Theatre
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Mature Cinematic Content for Immature Minds: "Pushing the Envelope" versus "Toning It Down" in Family Films
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Is Triangle Really Yellow? An Empirical Investigation of Kandinsky's Correspondence Theory
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Serene Arts: The Effect of Personal Unsettledness and of Paintings' Narrative Structure on Personality
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Origins of Originality: Innovation Motivation and Intelligence in Poetry and Comics
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Equally Discarded?: The Influence of Age and Gender on the Popularity of Screen Actors
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Person Repetition Neglect While Viewing Continuous Pictorial Narratives
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