| Home > Scholarly Contributions > Abstracts > Volume 10 Issue 2
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| Volume 10 Issue 2
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Editor’s note (Special issue: Foundations of verse)
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Michel Grimaud, 1992, 10:2, 93-94.
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Abstract:
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The phonetics of metrics.
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Ilse Lehiste, 1992, 10:2, 95-120.
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Abstract:
The purpose of this investigation is to test whether there is a connection between metre and the prosodic structure of a language. If a correspondence exists, the same meter should be realized in a phonetically different way in languages with different prosodic systems, and the differences in the phonetic realization of the metre should be explainable on the basis of the differences between the prosodic systems. The study begins with an examination of the realization of the trochaeic pattern (bisyllabic feet accented on the first syllable) in Finnish, Estonian, Swedish, and Lithuanian. This is followed by a consideration of the relationship between metric feet and poetic lines. Stress timing is illustrated with reference to Icelandic.
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French and English rhymes compared.
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Clive Scott, 1992, 10:2, 121-156.
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Abstract:
The richness and complexity of rhyme has to a great extent been ignored. This article first examines the structural role of rhymes within metrics, illuminating its contrasted role in French and English verse. Linguistic differences and their consequences for the exploitation of various rhyme schemes in French and English are also examined -- for example through a discussion of the role of rhyme in French classical drama as compared to English Restoration drama. The semantic and pragmatic consequences of rhyme are also addressed, with special emphasis on the comparative anatomy of rhyme words (morphemes, suffixes, endings) and the changed significance of rhyme with the advent of free verse.
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On the meter and prosody of French 12-syllable verse.
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Marc Dominicy, 1992, 10:2, 157-181.
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Abstract:
This article provides the reader with a survey of the basic metrical and prosodic properties of the French classical and post-classical 12-syllable alexandrine line. It is argued that these features can be captured within a neo-Jakobsonian framework which maintains a clear distinction between linguistic and non-linguistic parallelisms. Metrical equivalence is accounted for by positing abstract "line designs" that are linked to "line instances" by a set of "matching rules." The versification of Racine, Hugo, and late Nineteenth-century poets of the Parnassian and post-Parnassian generations is studied in some details. This makes it possible to evaluate the adequacy of recent theorizing by Benoît de Cornulier and Paul Verluyten.
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Rhymes in Victor Hugo: Les Feuilles d’Automne and Les Chansons des Rues et des Bois.
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Etienne Brunet, 1992, 10:2, 183-192.
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Abstract:
This article is a comparative description of rhyme used in two of Victor Hugo's collections of poems, Autumn Leaves (1831), an early collection, and Songs of the Streets and Woods (1865), one of the later ones. The most frequent rhymes are ranked and briefly studied in terms of their semantic content and the grammatical categories they belong to. The last stressed vowel of each rhyme word is also examined in order to establish the dominant phonetic patterns present at line ends. Finally, the striking asymmetry in the ordering of frequent rhymes ("sombre" [dark] then "ombre" [shadow] rather than the reverse) is examined and explained.
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Buy the whole article at baywood.com - online shop now.
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As member of the IAEA you receive the Empirical Studies of the Arts
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1983 at discounted rates.
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